About Me
Hi, my name is Alyssa Wong (she/her) and I am a college freshman from the Bay Area, California. In writing, I love high fantasy, human connection, and moments that hit like a punch. In art, I love the surreal, the unexpected, and the harsh details of reality. Outside of writing and art, I love cooking breakfasts worth waking up for. You can follow me on TikTok at @llysi.n.wong, where I post BookTok content.
Writing:
What I found Speeding Downhill on a Rollercoaster: Gold Medal—Scholastic Writing and Art 2024
MJ Cotton Library Award—Crystal Springs Uplands School
Flower Cakes With Burning City (portfolio): Silver Key—Scholastic Writing and Art 2024
Flower Cakes With Burning City (poem): Silver Key—Scholastic Writing and Art 2024
Matchsticks: Silver Key—Scholastic Writing and Art 2024
Kissing One: Silver Key—Scholastic Writing and Art 2024
rainforest gutter: Honorable Mention—Scholastic Writing and Art 2024
How to be a Poet: Honorable Mention—Scholastic Writing and Art 2024
What I found Speeding Downhill on a Rollercoaster: published—Eucalyptus Lit Issue 3: Reconciliation
Gonggong: published—Apprentice Writer Issue 41
The Castle of Silks: published—Crystal Visions 2023
Heart of Gold: published—HaluHalo Journal Issue 2
The Castle of Silks: Honorable Mention—Scholastic Arts & Writing Awards 2023
The Eyes’ Lament: Honorable Mention—Scholastic Arts & Writing 2023
A Postcard Landscape, One Lifetime Apart: Honorable Mention—Scholastic Arts & Writing 2023
Faulty or False: Honorable Mention—Scholastic Arts & Writing Awards 2022
Saigon Girl: Honorable Mention—Scholastic Arts & Writing Awards 2022
The Crypt Keeper: published—Bluefire 2022
Saigon Girl: “Heritage” Contest Winner—Crystal Visions 2021-2022
The Eyes’ Lament: published—Crystal Visions 2021-2022
The Crypt Keeper: Gold Key—Scholastic Arts & Writing Awards 2021
Art:
Hydrangeas Diptych: Sold for $1900—private commision
Welcome to Starfall Prom Dress: published—Crystal Visions 2023-2024
Sunny Side Up!: published—Crystal Visions 2023-2024
The Starbrights: Sold for $3500 at the “In-balance” Gallery—The Zoetic Tapestry Project
The Starbrights: Gold Key—Scholastic Art and Writing
Moonweaver: Gold Key—Scholastic Art and Writing
Suisha, Oshino Hakkai: published—The Greyhound Journal Issue 2: TOKYO
The King of Clovers vs. The Queen of Hearts: published—Apprentice Writer Issue 41
Cradled: Sold for $280 at the “Reconnect” Gallery—The Zoetic Tapestry Project
Summer Glaze: Sold for $250 at the “Reconnect” Gallery—The Zoetic Tapestry Project
Cradled: Silver Medal—Scholastic Arts & Writing 2023
Insomniac: Silver Key—Scholastic Arts & Writing 2023
Jellyfish Series: Silver Key—Scholastic Arts & Writing 2023
Reaching Out: Silver Key—Scholastic Arts & Writing 2023
Half Our Lives Ago: Honorable Mention—Scholastic Arts & Writing 2023
The King of Clovers vs. The Queen of Hearts: Honorable Mention—Scholastic Arts & Writing 2023
View from Isolation: Honorable Mention—Scholastic Arts & Writing 2023
Sleepless Nights Add Up: Silver Key—Scholastic Arts and Writing Awards 2022
Insomniac: Regional Finalist—Center for Future Global Leaders
Exemplary Award for Art 1 2021
You can find any of the winning works in this portfolio by clicking the underlined text.
I never wanted to be any of the characters I read about in books. While my friends bought Disney dresses and sang karaoke, I was fascinated with the idea that someone had written those movies, and that every single book I loved had its own author.
“You want to be Pinkalicious?” my uncle asked, when five-year-old me indicated the book’s cover. No, I wanted to be the other names—the ones in tight letters under Pinkalicious’ armpit. “You want to be an author?” he revised, and I nodded, sunshine to his skepticism.
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One of the strangest things I do as a writer is write the vast majority of my writing on the Google docs app on my phone. Most writers use their laptops, some write longhand, but I often find myself too busy to sit down and formally write. Instead, I’ll write in the dark in bed, where the nearest tool is my phone. Or I’ll write during the five minute walk from class to class at school. Or I’ll write in the car on the way to dinner. Writers are often astounded by this fun fact—and are even more shocked when I tell them I type with a single finger and not with my thumbs. Perhaps they cherish the act of writing too much to treat it as a half-thought. But for me, writing is an explosion of ideas. I’ll write whenever and wherever I can because I won’t let anything get in my way.
The best dreams are balloons. You knot a promise around it and hold onto it tight. You don’t let it go; you pump it full of hope and resilience. My big balloon was formed by a dream I had one day in ninth grade.
In the dream, it was spring, and I had just turned sixty-two. I was revisiting my childhood home—the bedroom I currently live in. My hair was mostly gray and loosely tied, I wore a bright-colored wrap dress around my body, which had grown plump like my grandmother’s. I could feel my own weight with every step I took. It was bright in the dream. The sunlight through the bedroom window was a blinding flood, washing out most of the details in the room, but I could still pick out the teal bird decals on the wall and the floral sheets on the twin-sized bed. I headed for a tall white shelf, aware of a few people following me in. When I reached the shelf, I saw that it was empty except for a single row of books each labeled with my name. With care, I took a book off the shelf, rubbing my thumbs over the cover, and turned to the people behind me. They were younger than me. These were the people that had read my books and made this dream possible. “This is the first book I ever published,” I told them, and felt my smile widen until my teeth were as bright as the sunlight.
So, that’s my balloon. Sixty-two and smiling, with a couple of books that some people enjoyed. If I keep filling my balloon, it’ll rise into the sky with me in tow one day. I’ll see you then.